Rick ross ft styles p
The video for “B.M.F.” was directed by Maybach Films/Parris and shows some grimy spots, party people, shiny things, a few cameos, green paper and Rick Ross catching a bit of a hip hop Holy Ghost. From a guy who’s career and “street cred” was in serious jeopardy a little while back, we’d like to believe that simply making good music was the key to offsetting the so-called bad publicity.
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The buildup for Ross’ Teflon Don continues, and with these tracks, plus others that have been floating around, the buzz is starting to grow a bit deafening.
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Which we still wouldn’t do if he was sucking, but with “B.M.F.” and “ Free Mason,” he is not. As we mentioned in our Rick Ross/Jay-Z post, Ross has been making some very listenable songs lately, and the inclusion of New York artists gives us the editorial clearance we need to share them here. (Blowin Money Fast)” premiered earlier, so here it is. No one can be expecting this to do anything commercially but it’s not like anyone who will hear it would complain.The Rick Ross/Styles P. Jonathan Bogart: If it weren’t for Styles P’s verse it would sound like a mixtape track - a good one, Ross growling like a patient Jabba the Hut at the center of a spiderweb of money and self-regard, but tossed-off and spare nonetheless. If you want a picture of the future of Ross’s career, imagine a sock filled with lard flailing against a human face - forever. teacher to run laps, but superior breath control can’t prevent him from sounding irredeemably dull.
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Leading man Rick Ross no longer raps like the fat kid forced by his P.E. Jonathan Bradley: Notice how much more lively the track becomes when Styles P takes the mic? He pushes against the beat, allowing its explosive force to hit harder by working his voice in tandem with the rhythm. But if you take away the catchphrase, it’s a monotonous, generic banger that just gets bonus points for having a good guest rapper. And to that end, this is at least pretty goofy. The song was originally released as an unmastered version on Ross' promotional mixtape, the Albert Anastasia EP. (Blowin' Money Fast) ' is the second single from Rick Ross' fourth studio album Teflon Don.
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To view this directly would likely blind, which is why Styles P is the protective eyewear in the equation, dragging Ross back down to earth, instead of claiming to “get money from the fucking stars” making more grounded - and in comparison to Ross, whose ties to this world have long since eroded, grounded in reality - claims, like possessing “guns from Red Dead Redemption.” Rap as wish-fulfillment rarely is both this preposterous and tangible.Īl Shipley: Whether it’s with him or at him, laughing is really the best case scenario reaction to get out of a Rick Ross song. Enjoy downloading rick ross bmf.mp3 for free ' B.M.F. But what is refracted is not Rick Ross himself, but projections of what he imagines himself to be: Larry Hoover, Big Meech, a rap deity made out of only the most brilliant of diamonds. The track is a circle of mirrors as tall as skyscrapers, all turned inwards at the Godzilla-sized Rick Ross, whose blood is a mixture of rosé wine and cocaine, his physical frame composed of boasts that grow more fantastical by the minute. Renato Pagnani: It’s fitting that the person who produced this lumbering villain of a beat calls himself Lex Luger, after the old WWE and WCW wrestler once known as the Narcissist. A slow number needs something more inventive in flow or lyrics, so this doesn’t quite come off. Ross always needs a great production, as he isn’t a particularly terrific rapper: this is darkly atmospheric, but may not have the impetus needed to cover Ross’s dull flow and rhymes. Martin Skidmore: The producer on this is apparently Lex Luger: I really hope it’s the ex-wrestler, but I don’t suppose it is. Tal Rosenberg: Can I rate this song in boats? If so, then my rating is “yacht.” ROZAY, THAT’S MY NICKNAME! So leisurely, in fact, that he sounds like could intone forever. Googled Larry Hoover, too – interesting story! None of which makes this any less oafish or oppressive.Īlfred Soto: The immobility of the backing track allows Rick to drop, at leisure, references to Archie Bunker, the Pledge of Allegiance, and the catchphrase I’ve been repeating for two weeks (I THINK I’M BIG MEECH). Except for that line about “penatratin’,” which is inexcusably offensive.Ĭhuck Eddy: Wait, did they really say “I got that Archie Bunker”? No idea what that’s supposed to mean, but at least it made me take notice. Rick Ross, Styles P.) think Im big meech Larry Hoover, whipping work, halleluiah, one nation under god real niggas getting money from the fucking. One day this gradually attenuating thread will snap, but at the moment he just sort of blends in to the landscape.
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Mallory O’Donnell: Rick Ross has his style and he’s hangin’ on to it like a lifeline. Donnie Trumpet & the Social Experiment.I LIE HERE BURIED WITH MY RINGS AND MY DRESSES.Email (song suggestions/writer enquiries).